DANIEL AUCHINCLOSS
Canadian tenor Daniel Auchincloss studied at the University of Toronto and at the Royal Scottish Academy of Music and Drama. He has performed as soloist with such groups as the Apollo Chamber Orchestra, the Brighton Festival Chorus, the Bournemouth Symphony Orchestra, Britten Sinfonia, the City of London Sinfonia (under Richard Hickox), the Gabrieli Consort, La Grande Écurie et la Chambre du Roy, The Orchestra of the Age of Enlightenment (in a tour of the St Matthew Passion under Sir Roger Norrington), the Royal Liverpool Philharmonic Orchestra (Carmina Burana with Vassily Petrenko) and the Salzburg Camerata in Rome.
Other engagements have included Linfea La Calisto for the Early Opera Company, Angel Canticum in nativitatem Domini with the Gabrieli Consort, La Pythonisse David et Jonathas with the Orchestra of the Age of Enlightenment, Charpentier Te Deum with Le Concert Spirituel, Moore The Dragon of Wantley at the Musikfestspiele Potsdam Sanssouci, Apollo L’Orfeo for Capella Cracoviensis, The Fairy Queen and The Indian Queen and for Toronto Masque Theatre, the title role in Platée for the English Bach Festival at the Megaron, Athens, Arbace Ciro in Babilonia for the Atelier Lyrique, Tourcoing, the title role in Le Comte Ory for New Chamber Opera and Police Inspector The Nose for the Opera Group. His recordings include Bach Cantatas with the Coro della Radio Svizerra conducted by Diego Fasolis (Arte), Biber Requiem in F, Paride ed Elena and the Monteverdi Vespers 1610 with The Gabrieli Consort & Players (DG), Britten Negroes with the Birmingham Contemporary Music Group conducted by Martyn Brabbins (NMC – a Sunday Times CD of the Week), Sacred Music of Claudio Monteverdi with The King’s Consort (Hyperion) and The Fairy Queen with the Coro della Radio Svizerra (RTSI TV).
Current engagements include Don Basilio Le nozze di Figaro at the Théâtre des Champs-Élysées, Spoletta Tosca and Dr Caius Falstaff for Opera Project, the St John Passion for the Amadeus Choir, Toronto, the St Matthew Passion at The Sage, Gateshead, Neukomm’s Messe pour l’acclamation du Brésil with La Grande Écurie et la Chambre du Roy, The Fairy Queen at the Opéra de Lille and King Arthur for Toronto Masque Theatre.
[Photograph by: Andres Landino]
